It’s definitely a day worthy of a Neely O’Hara meltdown:
It’s back–Teaser Tuesday, in which I offer you a little flava of what you might find in my book, The Many Captivities of Esther Wheelwright. Today I give you a little hint from chapter one, in which I write about Esther’s life from birth up to age seven, when she’s taken captive in a Wabanaki raid on her hometown of Wells, Maine.
One of the most exciting developments in history lately is the emergence of age as a category of analysis. I had a lot of fun thinking about the ways in which age might have shaped Esther’s experience of the different worlds in which she lived–in an Anglo-American frontier town, in Wabanaki mission towns, and then in Québec as a student in the Ursuline convent school, where she then remained as a nun for the rest of her life.
Lots more, and even a very creepy doll, after the jump!
The Many Captivities of Esther Wheelwright gets a rave review in this morning’s Maine Sunday Telegram (the Sunday edition of the Portland Press Herald, FYI):
Ann M. Little’s telling of Esther Wheelwright’s story illuminates issues of class, status and gender through the 18th century and across continents.
In her intriguing new biography, “The Many Captivities of Esther Wheelwright,” Ann M. Little asks a rhetocial question: Why would the portrait of this Ursuline nun be there in the Massachusetts Historical Society collection “amid this collection of prominent Puritans and wealthy merchants, in the company of men she would have disagreed with on nearly every issue, great or small?”
“And yet, there she is,” writes Little, associate professor of history at Colorado State University, “the pink face floating in the glowing white wimple, wearing that determined look.”
For the past year, I’ve wondered if my choice to put her portrait on the cover was the right one. My initial rationale was, “hey, biographies of the so-called “Founding Fathers” always feature one of their many oil portraits on the cover–my argument here is that Esther Wheelwright is worthy of the same treatment, so of course!” On the other hand: what do Anglophone Americans think when they see a nun on the cover of a book? They probably don’t see “Important Early American,” but rather “representative of subculture” or even “flashback to Catholic school thirty, forty, or fifty years ago!”
This review by William David Barry ratifies my decision to put the portrait on the cover and to write about it on the first few pages. (Nevertheless, I still wonder: I just found out yesterday that the book’s Library of Congress call number is in the BX section, with other biographies of famous Catholic religious people. The portrait of the nun right on the cover probably overdetermined this, but I had wondered if my book would be in the F1-100 section (New England History) or the F1000s (early Quebec). I never thought I’d have a book in the religious history section, but I understand. Continue reading
My colleague and co-conspiritor in teaching History of Sexuality in America over the past several years, Ruth Alexander, has suggested that we develop and co-teach another course on the 1960s. She has correctly deduced my excitement over the multi-media primary sources that modern historians can use–primarily video and audio clips that are available widely on the internet, as well as material culture and clothing that we find at Goodwill and garage sales! Wow!
When we had Carrie Pitzulo, author of Batchelors and Bunnies: The Sexual Politics of Playboy as a special guest in our class last term to talk about her article on Hugh Hefner’s and Playboy‘s engagement with feminism, I couldn’t believe that there was an entire episode of William F. Buckley’s Firing Line on YouTube, starring Hefner and engaging his ideas about the sexual revolution and feminism! Amazing. It’s also fascinating as a style of TV production that never happens now, even on PBS. Buckley draws Hefner out on “the Playboy philosophy” and where it fits in American intellectual history.
The sad truth about teaching the early modern period is that the video is totally inferior. Continue reading
Today’s post is an unanticipated part III in my series Crossing Over, on writing and publishing an academic book that aims to be a “crossover” title with a popular audience. Part I can be found here, “What is my book about?”, and Part II here, “Will I ever publish this book?” Many thanks to those of you in the comments on those posts who encouraged me to write a Part III. I hope to hear from the rest of you as to the writers and titles you see as your historical and literary models.
One of the challenges in writing The Many Captivities of Esther Wheelwright (Yale University Press, forthcoming 2016) was the fact that her life is very eventful early in childhood and adolescence, and then again in old age–a reversal of most biographies, which tend to focus on the adult years of a subject’s life, and offer only scant attention to their youths and their decline in old age. But while her childhood was very eventful–taken captive at age 7, brought to New France at age 12, and announced her intention to become a nun at age 14–most of it before she enters the Ursuline convent as a student at age 12 is only very lightly documented.
How does one write the history of an eighteenth-century childhood, especially one almost entirely undocumented? Although I was powerfully influenced by the historians I’ve been reading all my professional life, especially those who have focused on telling the story of a single life, I saw this as more of a literary problem than a historical one. That is, I knew what I could do as a historian–I just didn’t know how I could bring it all together. Or, as I wrote in part I of the Crossing Over series a few weeks ago: Continue reading
In a post last weekend, I revealed that my forthcoming book, The Many Captivities of Esther Wheelwright (Yale University Press, forthcoming 2016) would be published as a crossover academic-trade title. Some of you expressed interest in how I got a contract like this, as many of the scholar-readers here are interested in writing beyond a traditional academic audience of other professors and their students. So, I’ll tell you my story and do my best to draw a few lessons out of it.
(Over the last several years, I would tell junior scholars who asked about how I got my first book published to ask the same question of a lot of other people, because it seems like no two journeys to a publisher and to publication are the same. Maybe this is a truth universally acknowledged? Those of you with more experience, PLEASE weigh in with your ideas, advice, and experiences!) Continue reading
First we have the Abraham in Arms: War and Gender in Colonial New England (University of Pennsylvania, 2007) collection. I love these little figures, a gift from my husband. They represent a captive Anglo-American family (man, woman, and girl child) with two warriors. So much fun to pose on my bookshelves! Continue reading