One of the things about L.A. I’m really going to miss is reading the shrunken, vestigial, adware-addled Denver Post instead of the rich and lively LA Times, and one of the writers I’ll miss most is art critic Christopher Knight. Here’s his review of Caitlyn Jenner’s big reveal portrait by Annie Leibovitz on the cover of Vanity Fair published yesterday.
For all the advance buildup, the picture feels flat — a pedestrian celebrity pastiche of rather tired visual cliches. That’s too bad. Jenner’s courage in taking control of the public process of coming out as transgender is bold, and this will be the most widely seen initial image.
. . . . .
[T]he Vanity Fair photograph seems a missed opportunity — a picture from the past rather than the present. Maybe that’s because all its conventional, glamour-girl signals weigh down the lively fluidity swirling at the center of gender identity.
After describing work by photographer Catherine Opie and Judith Butler, and explaining that a more expansive and complicated vision of gender performance has been part of both the feminist and LGBT movements’ DNA since the early 1990s, Knight writes that the VF cover appears to have missed these conversations entirely. Instead, it’s a portrait of a 60-something woman by a 60-something woman that feels dated and conventional. “Leibovitz’s Caitlyn Jenner is a newfangled Vargas girl, one of those airbrushed cuties from the old pages of Playboy. Is that all there is?” Continue reading
Why, yes! Yes, I do.
Alert the authorities: Katie Roiphe is dead right about “Why Professors Should Not Have Affairs with Their Students:” Longtime readers may recall that I’ve been pretty unsparing in my criticism of Roiphe for a long, long time now, but she really nails it here.
In this new essay, Roiphe writes from the perspective of seeing a number of male colleagues have affairs with their graduate and undergraduate students, and I’ve seen it too among men in the profession–my age and even younger, so it’s not going away anytime soon (although thank the Goddess I’ve never seen it among my colleagues in my department.) First, it’s an obvious and embarrassing trope: “The dynamic is so trite one can barely commit it to the page, but it seems that otherwise charismatic, original men are completely happy to inhabit this cliché, to live and work in it. In my experience these are men who would rather die than dress or speak or write in a clichéd way, but in this particular area of triteness, they feel entirely comfortable.”
Also, “the prospect of sleeping with an undergraduate seems a little like wanting to sleep with a puppy,” as in bestiality, not as in chaste and adorable puppy snuggling, which is obvs. perfectly fine. But who cares if a middle-aged schlub makes a fool of himself? I don’t, and neither does Roiphe, because of course it’s the damage to students and to the trust in the professor-student relationship that concerns her most: Continue reading
Not my typical morning run.
On days when I haul my butt out of bed at 5 a.m. and get out for an early morning run, I have lots of energy the rest of the day and can even stay up a little longer in the evenings. On days when I can’t manage to get rolling early and when I don’t go for a run, I have much less energy and frequently must go to bed early. We hear that it’s the exercise that causes us to be more focused and alert for the rest of the day, but I wonder: Continue reading
Nathaniel Wheelwright (1721-66), by John Singleton Copley, ca. 1760, from Portraits in the Massachusetts Historical Society (1988)
I’ve been pulling together the images I’d like to include in my book, The Many Captivities of Esther Wheelwright. My publisher is very generous and is permitting me to include up to twenty of them (!)–and because Esther moves around so much (especially for a girl and a woman) and crosses so many cultural, religious, and linguistic borders, I’ll really need twenty illustrations to give readers a sense of the material culture of all of her different worlds and families.
The Massachusetts Historical Society owns a crude oil portrait on paper of Esther Wheelwright’s nephew, Nathaniel, by John Singleton Copley. Nathaniel becomes a diplomat on behalf of Massachusetts and goes to Montreal and Quebec in 1752-53 to attempt to effect the return of some New England child captives being held by Native allies of the French. In the course of this trip, he meets twice with his aunt, and gives us one of the only personality sketches of her that we have. I’ve been considering including this portrait in my book, but I’ve decided not to. Continue reading
Go check out this Amazon review of Charles Francis Adams’s Three Episodes of Massachusetts History (BiblioLife, 2009)–click and scroll down to Editorial Reviews towards the bottom of the page (h/t Peter Mancall). I’ll wait. Continue reading
Is age the next new category of analysis in history? I think it might be, and not just because I’m one of the contributing authors. From an email from co-editor Nicholas L. Syrett I received this weekend:
Age in America has been published (New York University Press, 2015)! I’m at the Organization of American Historians’ annual meeting this weekend in St. Louis and the very first two advance copies made it here just in time (and both were sold by conference’s end). The assistant editor at NYU Press will send you your copy as soon as the books stock at NYU’s warehouse (Cori and I don’t even have ours yet). I have attached a photo of the book sitting in the NYU Press booth. Within a couple weeks it should be available to order through bookstores, etc.
The co-editors of the volume, Nick Syrett and Corinne T. Field, worked hard with contributors to get a good mix of established and emerging scholars and to cover a pretty broad swath of American history (table of contents here.) My essay, “‘Keep me With You, So That I Might Not Be Damned:’ Age and Captivity in Colonial Borderlands Warfare,” is the first essay in the collection after Field’s and Syrett’s introduction. There are thirteen other essays in the volume, which covers not just the expected modern markers of age and how they came to be (age of suffrage, the drinking age, the age of retirement and Social Security benefits), but also essays by Yuki Oda on age and immigration politics (“‘A Day Too Late:’ Age, Immigration Quotas, and Racial Exclusion,”) Stuart Schoenfield on age 13 for American Jews, and Norma E. Cantú on the quinceañera for Latin@ girls. Continue reading
I’ve had some conversations with senior male historians over the past few years that have troubled me.
When talking about my work, or about the work of another women’s historian, some scholars apparently feel it’s OK to say “Oh, that’s why I don’t know her work. I just don’t do women’s history.” Or, “Women’s history is just something I never think about,” or comments to that effect.
I get it that we historians can’t all do everything, but how is it acceptable to announce that you never think about half of humanity in your own work or even read the scholarship on this half of humanity? Would these white men (and they have all been white) announce blithely that “I don’t do race,” even if it were true? (Odds are they’re not as ignorant of the scholarship on race as they are on the scholarship on women, gender, and sexuality, but this is just a guess. This post is mostly about the liberty some feel to confess their total ignorance of what has become a major subfield of history, and why that’s a bad idea not just for the audience but for the speaker.) Continue reading