University of Chicago Press, 2015
Don’t miss John Fea’s interview of Terri L. Snyder about her brand-new book, The Power to Die: Slavery and Suicide in British North America (University of Chicago Press, 2015)., which I learned of via the ubiquitous and always-in-the-know Liz Covart on Twitter.
In the course of the interview, Snyder outlines how she came about her ideas for her second book in the course of researching her first book, Brabbilng Women: Disorderly Speech and the Law in Early Virginia (Cornell University Press, 2003; Cornell Paperback, 2013): Continue reading
UPDATE, 8/31/15 11:50 a.m. Well, that was fast. The first video was terminated! I’ll let you know if I find another copy somewhere, but if you go to the Who Do You Think You Are schedule, you’ll see the promo with a glimpse of me today. In the meantime, try the link below.
French Protestants! Religious persecution! Siege and starvation! Migration and the bounty of the New World! It’s all posted on YouTube, at least for now:
Tonight’s the night! Set your DVRs for TLC tonight at 9 Eastern/8 Central for Who Do You Think You Are. (Be sure to check your local listings–I told people here the show would be on at 8 p. Mountain time, but it turns out that cable here conforms to the Eastern show times!) You’ll see me join Tom Bergeron in Québec towards the end of his quest to learn about his 10th and ninth great-grandparents.
I don’t know all the details and will be eager to learn them tonight, but from what I learned on our shoot last month, it’s a story that spans France and early Canada. The stories we’ll see are emblematic of the age of religious wars and migration to the New World. Join us and let me know what you think! Continue reading
My sabbatical is over! I went back to the classroom today, and was immediately attacked by Ellen Jamesian undergraduates for assigning a book about rape without posting a trigger warning on my syllabus. They also constantly accused me and one another repeatedly of racist, classist, homophobic, transphobic, and ableist microaggressions, and we were only talking about the syllabus today!
Just kidding. The students in HIST 369: History of Sexuality in America seemed fine, even enthusiastic. All of those who stayed after class to talk to me and my fellow instructor introduced themselves politely, shook our hands, and thanked us for answering their questions.
Can everyone who wants to scream and wail and rend their garments over so-called “political correctness” please get a grip on reality? Based on what I’ve seen back here at Baa Ram U., the kids are alright, the professors seem chipper, and the only people who seem to have a problem with what’s going on here are people who don’t work on a college campus. Today’s case in point, Emily Yoffe, a.k.a. “Dear Prudence” at Slate. Now I ordinarily enjoy her agony column, although I disagree with her sometimes. But when I read this yesterday I just about plotzed: Continue reading
Laura Bennett analyzes Donald Trump’s comments on Megyn Kelly’s questions in last week’s Republican debate in Slate today. To review: Trump complained about the question she asked him regarding his offensive comments about women, saying that “[s]he gets out there and she starts asking me all sorts of ridiculous questions, and you could see there was blood coming out of her eyes, blood coming out of her … wherever.” Bennett writes,
To be clear, Trump sounded like a Grade A bozo throughout the Kelly tirade, and his history of enthusiastic sexism made the period subtext seem like a safe assumption. If you listen to the full segment, though, it is not entirely evident where Trump was going with that “wherever.” At the end of the sentence, he did sort of peter out, distracted by the gleam of his own next thought about how well he was doing in the polls. Several minutes later, he declared that Chris Wallace seemed to have “blood pouring out of his eyes” while interrogating him, too. It is no secret that Trump is a cartoonish misogynist. But the media frenzy over bloodgate also seemed to be missing some key context.
Who knows if Trump meant specifically to reference menstruation? It doesn’t really matter. Anyone with half a brain–even half a lizard-brain like Trump–has to know that talking about blood and the only woman involved in the whole debate was just inviting others to make the connection he apparently pulled back from making himself. (Listen to the recording and judge for yourself. He’s a rude and crude dude. As Bennett suggests, compared to calling Gail Collins a “dog,” talking about Megyn Kelly’s menstrual blood is almost, to use a Trumpism, “world class.”) Trump evoked a taboo with ancient roots and surprising staying power, one that (not coincidentally) recalls male fears of emasculation by the power-sapping mojo of menstrual blood. Continue reading
There’s a nice explanation at Inside Higher Ed today about the #ILookLikeAProfessor meme that took off last week on Twitter. Masterminded by my Tweet peeps Sarah Pritchard, Adeline Koh, and Michelle Moravec, the movement attempts to address the age-old problem that we professors who aren’t bearded white men face at work:
Frustrated by the microaggressions we experience as “nontraditional” faculty, we started a new hashtag:#ILookLikeAProfessor. The flurry of photos, retweets and horror stories since last Thursday suggests that we are not alone in experiencing entrenched stereotypes and bias — both subtle and explicit.
- The female professor mistaken for an undergraduate. She was grading homework, not doing it.
- Male teaching assistants assumed to be the professor.
- Faculty members of color assumed to be the custodian.
- Asian professors assumed to be Chinese food delivery drivers.
We are not making this up.
My beach reading this week is Joan Didion: her famous essays on the 1960s collected in Slouching Towards Bethlehem and The White Album (1979), and her novel from that era as well, Play it As it Lays. I’ve completed the essay collections, and came across this 1976 article about Georgia O’Keeffe that reminded me about the conversation a few days ago about women writers and artistic creativity and confidence: Continue reading