Mary with Laura holding Susan. Illustration by Garth Williams, Little House in the Big Woods, 1932
Today’s post is an unanticipated part III in my series Crossing Over, on writing and publishing an academic book that aims to be a “crossover” title with a popular audience. Part I can be found here, “What is my book about?”, and Part II here, “Will I ever publish this book?” Many thanks to those of you in the comments on those posts who encouraged me to write a Part III. I hope to hear from the rest of you as to the writers and titles you see as your historical and literary models.
One of the challenges in writing The Many Captivities of Esther Wheelwright (Yale University Press, forthcoming 2016) was the fact that her life is very eventful early in childhood and adolescence, and then again in old age–a reversal of most biographies, which tend to focus on the adult years of a subject’s life, and offer only scant attention to their youths and their decline in old age. But while her childhood was very eventful–taken captive at age 7, brought to New France at age 12, and announced her intention to become a nun at age 14–most of it before she enters the Ursuline convent as a student at age 12 is only very lightly documented.
How does one write the history of an eighteenth-century childhood, especially one almost entirely undocumented? Although I was powerfully influenced by the historians I’ve been reading all my professional life, especially those who have focused on telling the story of a single life, I saw this as more of a literary problem than a historical one. That is, I knew what I could do as a historian–I just didn’t know how I could bring it all together. Or, as I wrote in part I of the Crossing Over series a few weeks ago: Continue reading
Greetings from Cap Diamant!
While I was buying a ticket Saturday afternoon to tour the archaeological dig of Chateau St. Louis, the remains of the original fort and governors’ houses in Québec City, I was wished a “bonne fête” (happy holiday). The Parks Canada employee had to remind me that “c’est le quatre Juillet!” (“it’s the Fourth of July!”) Duh. I had spent all morning and most the afternoon at the Cathedral on a top-secret mission, and I think my brain was working so hard trying to speak and read French again that the American holiday fell completely out of my consciousness.
Having spent Independence Day weekend with our Francophone neighbors to the North, I may be particularly susceptible to this argument by Dylan Matthews, “3 Reasons the American Revolution was a Mistake.” After all, the people of Québec famously refused Benedict Arnold’s kind offer to join with their southern neighbors to throw off the yoke of British tyranny. The legacy of more than a century of warfare with rabidly anti-Catholic New England colonists made Anglo-Americans unreliable allies in the eyes of most Canadians, to say the least.
Here’s Matthews’s argument, in brief–first and foremost, slavery ended sooner in the British empire, and he uses Canada as a compelling counter-example for U.S. Americans to consider:
Abolition in most of the British Empire occurred in 1834, following the passage of the Slavery Abolition Act. That left out India, but slavery was banned there too in 1843. In England itself, slavery was illegal at least going back to 1772. That’s decades earlier than the United States.
This alone is enough to make the case against the revolution. Decades less slavery is a massive humanitarian gain that almost certainly dominates whatever gains came to the colonists from independence.
Second, the American Revolution was really bad for First Nations peoples–not that Canada’s record is awesome, just less awful than U.S. imperial expansion: Continue reading
One of the things about L.A. I’m really going to miss is reading the shrunken, vestigial, adware-addled Denver Post instead of the rich and lively LA Times, and one of the writers I’ll miss most is art critic Christopher Knight. Here’s his review of Caitlyn Jenner’s big reveal portrait by Annie Leibovitz on the cover of Vanity Fair published yesterday.
For all the advance buildup, the picture feels flat — a pedestrian celebrity pastiche of rather tired visual cliches. That’s too bad. Jenner’s courage in taking control of the public process of coming out as transgender is bold, and this will be the most widely seen initial image.
. . . . .
[T]he Vanity Fair photograph seems a missed opportunity — a picture from the past rather than the present. Maybe that’s because all its conventional, glamour-girl signals weigh down the lively fluidity swirling at the center of gender identity.
After describing work by photographer Catherine Opie and Judith Butler, and explaining that a more expansive and complicated vision of gender performance has been part of both the feminist and LGBT movements’ DNA since the early 1990s, Knight writes that the VF cover appears to have missed these conversations entirely. Instead, it’s a portrait of a 60-something woman by a 60-something woman that feels dated and conventional. “Leibovitz’s Caitlyn Jenner is a newfangled Vargas girl, one of those airbrushed cuties from the old pages of Playboy. Is that all there is?” Continue reading
Not my typical morning run.
On days when I haul my butt out of bed at 5 a.m. and get out for an early morning run, I have lots of energy the rest of the day and can even stay up a little longer in the evenings. On days when I can’t manage to get rolling early and when I don’t go for a run, I have much less energy and frequently must go to bed early. We hear that it’s the exercise that causes us to be more focused and alert for the rest of the day, but I wonder: Continue reading
Go check out this Amazon review of Charles Francis Adams’s Three Episodes of Massachusetts History (BiblioLife, 2009)–click and scroll down to Editorial Reviews towards the bottom of the page (h/t Peter Mancall). I’ll wait. Continue reading
Is age the next new category of analysis in history? I think it might be, and not just because I’m one of the contributing authors. From an email from co-editor Nicholas L. Syrett I received this weekend:
Age in America has been published (New York University Press, 2015)! I’m at the Organization of American Historians’ annual meeting this weekend in St. Louis and the very first two advance copies made it here just in time (and both were sold by conference’s end). The assistant editor at NYU Press will send you your copy as soon as the books stock at NYU’s warehouse (Cori and I don’t even have ours yet). I have attached a photo of the book sitting in the NYU Press booth. Within a couple weeks it should be available to order through bookstores, etc.
The co-editors of the volume, Nick Syrett and Corinne T. Field, worked hard with contributors to get a good mix of established and emerging scholars and to cover a pretty broad swath of American history (table of contents here.) My essay, “‘Keep me With You, So That I Might Not Be Damned:’ Age and Captivity in Colonial Borderlands Warfare,” is the first essay in the collection after Field’s and Syrett’s introduction. There are thirteen other essays in the volume, which covers not just the expected modern markers of age and how they came to be (age of suffrage, the drinking age, the age of retirement and Social Security benefits), but also essays by Yuki Oda on age and immigration politics (“‘A Day Too Late:’ Age, Immigration Quotas, and Racial Exclusion,”) Stuart Schoenfield on age 13 for American Jews, and Norma E. Cantú on the quinceañera for Latin@ girls. Continue reading
All the best history is written from a reclining position.
Apparently, there are no desks in the standard rooms at the conference hotel used by the annual meeting of the Organization of American Historians, and many at the OAH see this as a pretty big deal.
I was first alerted to the curious absence of desks from the hotel rooms in a mysterious Tweet from Victoria Wolcott from the University of Buffalo, and then found that this is the major conference issue highlighted in a blog post by Rick Shenkman over at History News Network, which posted a photo of a room:
[T]here has been a problem.
Notice anything missing from this room?
It’s one of the rooms at the newly renovated Renaissance Grand Hotel in St. Louis where OAH members are staying during the convention. It’s lovely but it’s missing a desk and chair! As someone on Twitter posted, that’s rough on historians who are used to working during a convention: typing up notes for a talk, emailing friends, reading the New York Times online. The hotel reportedly says that Millennials don’t want desks in their rooms. Welcome to the future!
I’m a typically disaffected Gen-Xer and no Millennial, but I have to ask: who uses a desk anymore, anyway? At the next major conference I attend, I think I’ll host a salon in my hotel room and invite historians up to loll around on the beds in my room (fully clothed and perfectly chaste, of course.) It could be the best unofficial session of the conference! Continue reading