I don’t know why I find this Onion article so funny and yet feel so awkward laughing at it at the same time (h/t anonymous, who put this link in my comments yesterday.) Historians and other humanists: how do you feel about it, and why?
I think it has something to do with shame about exploiting the dead, plus slavery, neither of which is very funny. (But of course, my opportunities for exploitation are much more limited than McCullough’s.)
This, on the other hand, is just shamelessly funny. Continue reading
Some of you may have read about the recent call from the American Historical Association to Ph.D.-granting universities to permit their recently credentialed historians to leave their dissertations off-line for six years in order to give the junior scholar time to revise the dissertation for publication. The AHA’s reasoning?
History has been and remains a book-based discipline, and the requirement that dissertations be published online poses a tangible threat to the interests and careers of junior scholars in particular. Many universities award tenure only to those junior faculty who have published a monograph within six years of receiving the PhD. With the online publication of dissertations, historians will find it increasingly difficult to persuade publishers to make the considerable capital investments necessary to the production of scholarly monographs.
I read through the AHA statement, the New York Times article on the subject, and a blog post by Berkeley biologist and open access advocate Michael Eisen (courtesy of Comradde PhysioProffe). I agree entirely with Eisen. The AHA position is wrongheaded, although I’ve got some different reasons to disagree with the call to embargo disseratations than Eisen has. Let me explain: Continue reading
I’ve got a friend who is struggling this summer with her university press publisher’s demand that she cut 20,000 words from her 142,000 word book. She’s doing interesting work pulling together the relevant strands of scholarship from many different fields, and as most of you humanists can probably guess, this means that her footnotes are pretty crunchy and dense. She added a great deal more to her first draft of the manuscript to respond to the suggestions and concerns of the press reviewers, and now the press itself is demanding that she cut-cut-cut, and she’s understandably frustrated.
As a first-time author, she feels obligated to demonstrate quite clearly her scholarly debt to others, so her footnotes and bibliography comprise 36,000 of the total. At this point, she has already cut 12,000 words from the manuscript and doesn’t think she can go further without undermining her contribution to the existing literature. Continue reading
Sorry I’ve been out of touch lately–I’ve been enjoying our lovely wet and cool late spring days here on the high plains with my head stuck pretty much full time in the eighteenth century. (And that is awesome! So long as it’s all in books and in my head, and doesn’t involve period costumes and camping out.) Working on the back porch, watching the rose bushes bloom (finally!) and the hollyhocks and herb garden grow is pretty swell (even if it ain’t Italy.)
If you want some bloggy amusement, head on over to Tenured Radical, who is soliciting ideas in the service of answering some reader mail: what makes for a good blog post? How does it differ from academic writing for books and journals? What do you look for, and which posts do you tend to avoid? Let’s share!
Meanwhile, I heard this song last night on David Dye’s World Cafe, and was reminded that there once was a Velvet Underground song that felt like a fun, happy, summer song: Continue reading
Howdy, friends–today’s post is an invitation for you to click on over to the American Historical Association’s Roundtable, “Historians’ Perspectives on Web Ethics,” a free-range discussion of the ethical and moral responsibilities historians have with respect to our online presence, either as web page hosts, bloggers, commenters, Tweeters, etc. Many thanks to Vanessa Varin, an Assistant Editor of Web and Social Media for Perspectives, the newsmagazine of the AHA. I made a contribution to the discussion, as did Benjamin Alpers of Oklahoma University and the U.S. Intellectual History blog, John Fea of Messiah College and the blog The Way of Improvement Leads Home, and Claire Potter of the New School for Public Engagement, a.k.a. our old pal, Tenured Radical.
I was interested to see that three of us wrote about the necessity of developing online professional standards and aggressively curating online discussions, whereas Alpers was the only one of us who wrote about a vision of the web as an “open, public scholarly space.” (This may have something to do with the fact that he has an intellectual history blog, which probably attracts fewer than its share of trolls compared to queer-radfem-political-cowgirl-religion bloggers like Fea, TR, and myself.) Continue reading
Don’t miss the cameo by Elaine Showalter, who appears in this video to restage one of my favorite scenes in American film history. Comedy gold! (Via Sophylou at True Stories Backward.)
Today’s post is the final installment of my three-part interview with Mary Beth Norton, whose career will be celebrated at Liberty’s Sons and Daughters, a conference in her honor in Ithaca, New York September 28 and 29. (If you’ve missed part I and part II, get yourself caught up and then read on.) Here, we talk about her decision to to write a trilogy of books on early American women’s and gender history. In chronological order of the history they cover, they are Founding Mothers and Fathers: Gendered Power and the Forming of American Society (1996), Separated by their Sex: Women in Public and Private in the Colonial Atlantic World (2011), and Liberty’s Daughters: The Revolutionary Experience of American Women, 1750-1800 (1980). We also talk about her experiences publishing with both trade and university presses, both of which present their own advantages and disadvantages.
Historiann: You write in your introduction to Separated by their Sex that this is the third volume of your trilogy focusing on colonial and Revolutionary-era women’s history, connecting Founding Mothers and Fathers to Liberty’s Daughters. When and how did you conceive of writing a trilogy? Would you recommend this career strategy to younger historians?
MBN: I knew I had to write a trilogy when I was three or four years into the research for what became Founding Mothers & Fathers, for I realized then that the project I had conceived as one book had to be divided into two. And even later I decided that Salem witchcraft deserved its own book, an offshoot of the trilogy, because otherwise I feared it would take over the second volume. As it happened, both the Salem research and the research for Separated by their Sex went in directions that I had not anticipated, and so In the Devil’s Snare became more a stand-alone (but related) volume. Continue reading