In both my grad class and my undergrad class this week we’re discussing Sharon Block’s Rape and Sexual Power in Early America. This is a book that goes over very well with college students, given their vulnerability to sexual assault as well as Block’s analysis of the racial and class dynamics of rape complaints and prosecutions. I was pushing my students on the question of why more hasn’t changed over the past 300 years, and decided to ask them if they knew someone who had been raped. All of us but ONE person out of 17 or 18 of us in the discussion section raised a hand. Continue reading
Don’t miss John Fea’s interview of Terri L. Snyder about her brand-new book, The Power to Die: Slavery and Suicide in British North America (University of Chicago Press, 2015)., which I learned of via the ubiquitous and always-in-the-know Liz Covart on Twitter.
In the course of the interview, Snyder outlines how she came about her ideas for her second book in the course of researching her first book, Brabbilng Women: Disorderly Speech and the Law in Early Virginia (Cornell University Press, 2003; Cornell Paperback, 2013): Continue reading
At Salon, Swarthmore College alum Arthur Chu writes a brilliantly funny and angry screed about those silly “p.c. culture” articles published as clickbait by The Atlantic last week, and says exactly what I’ve been thinking and meaning to write all week long–just go read and think about it. His thesis is pretty clearly announced in the headline “So college ‘p.c. culture’ stifles comedy? Ever hear a comedian sh*t on the American Dream at a Wal-Mart shareholders meeting?” In short, Chu exposes once again that the term “politically correct” is a meaningless bludgeon only used against some forms of speech and protest, and not against others.
Chu says it all much better than I can, but I’d just like to add two things: although I’ve been guilty of it on this blog on occasion, and only in the distant past I think, the recent jeremiads about “kids these days” published in The Atlantic just make the authors appear sclerotic and judgy, as the young people say. Please protest if I ever write something as carelessly and thoughtlessly dismissive as those silly articles! (Pro tip to those worried about “p.c.” today on college campuses: the best cure for bad, silly, or uninformed speech is more speech, not a huffy demand that an entire generation of students S.T.F.U.)
Finally, I’d just like to add that although I think that I can teach college students a thing or two that might come in handy some day, I also think that older people should pay attention and see what we can learn from our students too. They are the generation that made sodomy laws and constitutional amendments preventing same-sex marriage fall so quickly. It wasn’t my Generation X, which has mostly been just about us instead of serving others or working towards political action. Even on a politically complacent, historically white campus like Baa Ram U. during the 2004 election, in which gay marriage bans were on several state ballots, I had majorities of students ask me in honest disbelief why anyone would be against same-sex marriage or harbor prejudice against gay and lesbian people. Continue reading
Perhaps like many of you, I was appalled but sadly not shocked by the senseless murder of Samuel DuBose by University of Cincinnati “police officer” Ray Tensing. The only thing that surprised me is 1) what violent people are willing to do even when they know the cameras are rolling, and 2) that Tensing was indicted yesterday on murder and manslaughter chargers. Also 3) why the f^(k are campus “police” issued service revolvers? This is clearly a risk to public safety on and near our campuses.
Higher education needs to look to itself to address the militarization of campus “police forces.” It’s not just the state troopers and municipal police, but the so-called campus “police” who patrol our workplaces and our students’ educational and recreational spaces. DuBose’s death has moved me to share my encounters with campus “police” over the past twenty years of my life as a faculty member. Yes, me! Goody-two-shoes white faculty lady! Continue reading
Today’s post is an unanticipated part III in my series Crossing Over, on writing and publishing an academic book that aims to be a “crossover” title with a popular audience. Part I can be found here, “What is my book about?”, and Part II here, “Will I ever publish this book?” Many thanks to those of you in the comments on those posts who encouraged me to write a Part III. I hope to hear from the rest of you as to the writers and titles you see as your historical and literary models.
One of the challenges in writing The Many Captivities of Esther Wheelwright (Yale University Press, forthcoming 2016) was the fact that her life is very eventful early in childhood and adolescence, and then again in old age–a reversal of most biographies, which tend to focus on the adult years of a subject’s life, and offer only scant attention to their youths and their decline in old age. But while her childhood was very eventful–taken captive at age 7, brought to New France at age 12, and announced her intention to become a nun at age 14–most of it before she enters the Ursuline convent as a student at age 12 is only very lightly documented.
How does one write the history of an eighteenth-century childhood, especially one almost entirely undocumented? Although I was powerfully influenced by the historians I’ve been reading all my professional life, especially those who have focused on telling the story of a single life, I saw this as more of a literary problem than a historical one. That is, I knew what I could do as a historian–I just didn’t know how I could bring it all together. Or, as I wrote in part I of the Crossing Over series a few weeks ago: Continue reading
Over at Chancery Hill Books, Tom Bredehoft wrote a few posts this week about collecting books and the ways in which his book collection has shaped his scholarship. He wonders, “Why aren’t literature professors also book collectors?,” when his research has been immeasurably enriched by his book collecting and bibliographic interests:
Being a book collector has given me a far broader experience of books and their texts than my academic training or my academic pursuits alone could have done. Of course not every book I’ve collected will end up playing a role in the academic arguments I make, but that’s precisely the point: I do not know which books I will use until I use them. But I do know that I will probably not use a book I am not at least somewhat familiar with.
Do some of you collect books? If so, what role (if any) have they played in the rest of your work or professional life? I confess that I buy old books, but only if they’re of personal or professional interest. I’m not into book collecting for the sake of collecting rare or important books, but I like to think that my purchases and careful stewardship of my books may someday be appreciated by antiquarians, bibliophiles, or even historians in the future.
I was particularly interested in Tom’s report on Victorianus Clark’s A Rhyming Geography; Or, a Poetical Description of the United States of America, &c. (Hartford: Peter B. Gleason & Co., 1819,) which looks like a fascinating document. It recalled in my mind Kariann Yokota’s fascinating discussion of early American maps and geographies, which continued to plagiarize and reflect British referents and sensibilities for decades after the American Revolution. Clark’s pedagogically innovative Rhyming Geography appears to flow from this vein as well–check out this discussion of Vincennes, Indiana: Continue reading
Liz Covart has a post on her blog called “How to Write for Your Readers,” which is effectively a post about “How to Write for Readers Beyond Your Colleagues and their Students.” She points out that journalists are very effective at writing history books that people actually buy and read. They’re eating our lunches!
History books written by journalists tend to be more popular than those written by professionally-trained historians because journalists write them to reveal history in a way that readers want to discover more about it.
In contrast, professionally-trained historians tend to write books that emphasize argument. Historians present the main topic of their book in a way that supports the case they are trying to make. Our books tend to be more about argument than story.
To encourage historians to think about story first, she reports on an interview with Mitchell Zuckoff, a journalism professor and author of two historical books that landed on the New York Times bestseller list, she shares his very good advice for effective storytelling. His advice–quite good, actually–boils down to these three points: Find a fascinating story focused on human actors, make sure there are plenty of sources to help you tell it, and finally, write the story for a broad audience and rewrite agressively. I especially like his advice about reading your drafts out loud to identify writing and syntax problems, and to help you cut out the parts that just aren’t working. (Read Liz’s discussion of his advice–it’s more thorough than this brief summary.)
This is all good advice, but I think the issue of journalists who write books that people buy versus historians who write books for other historians is oversimplified, and ignores the question of resources, platforms, and marketing that work to the advantage of the journalists who write a history book or two. Commercial publishers want to publish books not to help obscure writers make a name for themselves; they want to publish books by people who are already well-known because they think (rightly!) that a journalist with a prominent perch at a national newspaper or (better yet) who regularly appear on television will help them sell more books. Continue reading