Oh, say it ain’t so, Captain Wentworth!
This cartoon is among the many brilliant creations at my new favorite fun blog, Manfeels Park. (You Austenites will get that pun immediately, of course.) All of the highlighted dialogue comes from actual online mansplanations. Continue reading
From the mailbag today, a note from Sheila Skemp at the University of Mississippi:
A number of us returned from the (excellent!) Omohundro Institute Conference in Halifax this spring with a sense of uneasiness. While the program was truly impressive, it did not include a single panel devoted to women/gender issues. Given the strength of the field, this is truly troubling. And we want to make sure that this does not happen again.
It’s true. I reviewed the program, paper-by-paper, and while there were two paper titles that specifically mentioned women as historical subjects, they weren’t about women’s or gender history: Megan Hatfield of the University of Miami gave a paper subtitled “War, Family, and the Transformation of Identity in the life of Eliza Pinckney,” and Rachel Hermann of Southampton University spoke on “‘Their Filthy Trash:’ Food, War, and Anglo-Indian Conflict in Mary Rowlandson’s Captivity Narrative,” (a subject I’ve written about before, in Abraham in Arms.) CORRECTION, 7:45 P.M. MDT: I missed Craig Bruce Smith’s paper on “Women of Honor: Feminine Evolution through Dedication to the American Revolution. That said, there were twice as many men named Craig on the program as there were papers focusing on women with a gendered lense. Skemp continues: Continue reading
OMFG. This is a completely incoherent critique of Orange is the New Black because–get this!–the show which is about a women’s prison doesn’t portray male prisoners realistically or accurate to their numbers in U.S. prisons. See if you can make more sense of it than I can.
Hey, Concern Troll: where was your column about the mis- or under- or stereotypical representations of women on just about every other television program or movie ever made? Did you have this concern about Oz, or Silicon Valley, or The Bachelor? I guess I missed that. All I can see is that you’re complaining that you can’t see a man like you on the one semi-high profile program on TV that features women’s stories (and not just white women’s stories!) Continue reading
Last week, Kate Raphael of Pacifica’s Women’s Magazine (KFPA 94.1) contacted me to see if I would let her interview me about Stephanie Camp and the importance of her scholarship. Kate put together a series of commemorations of the lives of feminist women who have died recently–Maya Angelou, Sandra Bem, and Stephanie. The show also features a lengthy interview with Stacy Russo, who edited Life as Activism: June Jordan’s essays in the Progressive. Russo shares her memory of Jordan as a teacher as well as reviews the importance of her work.
You can hear the results here. Women’s Magazine’s blog is here. I hope you’re enjoying June.
I won’t be at the Berkshire Conference on the History of Women this year, but I wanted to alert you to a few sessions in particular that focus on women’s history and public history, the National Women’s History Museum controversy, and finally, the winner of the first Peg Strobel travel grant competition.
First, Sonya Michel has informed me that she has posted a number of relevant responses to the breakdown between Joan Wages, President and CEO of the NWHM, and professional historians at the Coordinating Council for Women in History website.
Second, there are two events that will interest folks gathering in Toronto at the Berks that pertain to the NWHM fracas:
- Session 123: “Women’s History Meets Public History,” Saturday May 24, 8-10 a.m., University College 144
- Open Meeting re: Historians and the Women’s History Museum in Washington, DC, Sunday May 25, 9:30-11:30 a.m., University College 44 (lower level)
Third, congratulations to Tracey Hanshew, a Ph.D. student at Oklahoma State University, who won the Peg Strobel Berkshire Conference Travel Grant! And you will not believe what she’s writing about, friends: cowgirls! Continue reading
Junot Diaz, an alum of the Cornell University MFA program, on MFA vs. POC: “Lately I’ve been reading about MFA vs NYC. But for many of us it’s MFA vs POC.” He continues,
I didn’t have a great workshop experience. Not at all. In fact by the start of my second year I was like: get me the fuck out of here.
So what was the problem?
Oh just the standard problem of MFA programs.
That shit was too white.
Some of you understand completely. And some of you ask: Too white … how?
Too white as in Cornell had almost no POC—no people of color—in it. Too white as in the MFA had no faculty of color in the fiction program—like none—and neither the faculty nor the administration saw that lack of color as a big problem. (At least the students are diverse, they told us.) Too white as in my workshop reproduced exactly the dominant culture’s blind spots and assumptions around race and racism (and sexism and heteronormativity, etc). In my workshop there was an almost lunatical belief that race was no longer a major social force (it’s class!). In my workshop we never explored our racial identities or how they impacted our writing—at all. Never got any kind of instruction in that area—at all. Shit, in my workshop we never talked about race except on the rare occasion someone wanted to argue that “race discussions” were exactly the discussion a serious writer should not be having.
. . . . .
In my workshop what was defended was not the writing of people of color but the right of the white writer to write about people of color without considering the critiques of people of color.
Oh, yes: too white indeed. I could write pages on the unbearable too-whiteness of my workshop—I could write folio, octavo and duodecimo on its terrible whiteness—but you get the idea.
How’s that for irony? That’s what the Scholarly Advisory Council was told by the National Women’s History Museum’s President and CEO Joan Wages last month, according to former SAC member Sonya Michel. (You can see the NMWH’s announcement of the SAC’s walking papers here.) Michel, for those of you who don’t know her or her work, is an eminent scholar of gender, povery, and social welfare. She writes:
Last month’s dismissal of the scholars followed yet another example of a museum offering that embarrassed those of us who were trying to ensure that the institution was adhering to the highest standards in our field. In mid-March, the museum announced that it had launched a new online exhibit, “Pathways to Equality: The U.S. Women’s Rights Movement Emerges,” in conjunction with the Google Cultural Institute. Never informed that the exhibit was in the works, much less given an opportunity to vet it, we were appalled to discover that it was riddled with historical errors and inaccuracies. To pick just one example: Harriet Beecher Stowe was described as having been “born into a family of abolitionists” when, from the time of her birth through her young adulthood in the 1830s, her family actively opposed the abolitionist movement. “Pathways to Equality,” noted Kathryn Kish Sklar, the nineteenth-century specialist who pointed out the error, “could have been written by a middle-school student.”
Actually, if I were Sklar, I would have said that “a middle-school student who had consulted my prizewinning biography of Catherine Beecher could have put together a stronger online presentation.” Continue reading