Happy Friday! Go pour yourself a cool draught of something and check this out: Continue reading
Someone disagreeable is trying to persuade you to take a trip to Bath.
Your father is absolutely terrible with money. No one has ever told him this.
All of your dresses look like nightgowns.
. . . . . .
You have five hundred a year. From who? Five hundred what? No one knows. No one cares. You have it. It’s yours. Every year. All five hundred of it.
. . . . . .
A woman who is not your mother treats you like her own daughter. Your actual mother is dead or ridiculous.
You develop a resentment at a public dance.
Some of that sounds pretty good: the five hundred a year, and the dresses like nighties, natch. What’s not to love? Continue reading
The book that kept Matthew Pratt Guterl indoors all last summer was published last month by Harvard University’s Belknap Press. Rebecca Onion gives it a nice rundown here at Slate:
Baker was born in St. Louis but moved to France in 1925. Her danse sauvage, famously performed in a banana skirt, brought her international fame. During World War II, she worked for the Red Cross and gathered intelligence for the French Resistance. After the war, married to her fourth husband, Jo Bouillon, she struggled to conceive a child. Meanwhile, her career waned. Guterl’s book is about this period of Baker’s life, as she built her large adopted family, became ever more active on behalf of the nascent civil rights movement in the United States, and re-emerged into fame.
Baker purchased her estate, known as Les Milandes, after marrying Bouillon in 1947. In addition to the chateau, the property boasted a motel, a bakery, cafés, a jazz club, a miniature golf course, and a wax museum telling the story of Baker’s life. As Guterl makes clear, the place was over-the-top, but its ostentation was a political statement. Les Milandes, with its fairy-tale setting, announced to the world that African-American girls born poor could transcend nation and race and find wealth and happiness.
From The Husband-Man’s Guide (Boston, 1712):
In this month sow Hemp & Flax, pole hops, set and sow all kind of tender herbs and seeds. Restore the liberty of the laborious Bee, by opening her hive. Let Tanners now begin to prepare to get Bark, and the good Housewives mind their gardens, and begin to think of their Daries. Now purge & bleed, you that need; for the use of Physick is yet very seasonable, the Pores of the body being open; therefore this and the last Month is th’ best time to remove and prevent Causes of sickness, and for speedy remedy in any extremity. Let blood these two Months the Moon being in Cancer, Acquary or Taurus, but held to be extream perilous for the Moon to be in that sign which ruleth the Member where the Vein is opened. So also it is held best to take Purges when the Moon is in Cancer, Scorpio or Pisces. But an Oyntment or Plaster is best apply’d when the Moon is in the same Sign that rules the Member to which it is applicable.
As it says after one of its recommended decoctions for common human complaints: Continue reading
Is there enough Pussy Riot in your life? I know–me, neither!
Per the conversation in the previous post, do yourself a favor: don’t bother looking at the comments on this video at YouTube.
And guess how I learned this? Through the Twitter machine, when I saw Jonathan Rees tweet a link to his contribution, “The Taylorization of the Historians’ Workplace.” (Regular readers will recall that Jonathan put together a panel on “How Should Historians Respond to MOOCs” at 2014 annual conference of the American Historical Association in Washington, D.C., last month.)
Our panel comments–slightly tweaked and edited–are now available at Perspectives. Many thanks to editor Allen Mikaelian for his patient editing and great title suggestions for my contribution, “Can Teaching Be Taken ‘to Scale’?” (Check it out–I quote William F. Buckley approvingly!) I also quote one of you I saw at AHA who said to me something like Continue reading