All the best history is written from a reclining position.
Apparently, there are no desks in the standard rooms at the conference hotel used by the annual meeting of the Organization of American Historians, and many at the OAH see this as a pretty big deal.
I was first alerted to the curious absence of desks from the hotel rooms in a mysterious Tweet from Victoria Wolcott from the University of Buffalo, and then found that this is the major conference issue highlighted in a blog post by Rick Shenkman over at History News Network, which posted a photo of a room:
[T]here has been a problem.
Notice anything missing from this room?
It’s one of the rooms at the newly renovated Renaissance Grand Hotel in St. Louis where OAH members are staying during the convention. It’s lovely but it’s missing a desk and chair! As someone on Twitter posted, that’s rough on historians who are used to working during a convention: typing up notes for a talk, emailing friends, reading the New York Times online. The hotel reportedly says that Millennials don’t want desks in their rooms. Welcome to the future!
I’m a typically disaffected Gen-Xer and no Millennial, but I have to ask: who uses a desk anymore, anyway? At the next major conference I attend, I think I’ll host a salon in my hotel room and invite historians up to loll around on the beds in my room (fully clothed and perfectly chaste, of course.) It could be the best unofficial session of the conference! Continue reading
Courtesy of Herschel Krustovski, a.k.a. Krusty the Clown–this was my only thought at 11 p.m. last night:
Via a retweet from Rachel Herrmann (@Raherrmann) from Rachel Moss (@menysnoweballes), we find the perfect diversion for this sunny Thursday morning in North America: The Toast’s Mallory Ortberg on “Two Medieval Monks Invent Bestiaries.” The explanation: Continue reading
Not my family, but behold the Spirit of ’76!
Michael D. Hattem has a thoughtful review on the stagnation of scholarship on the American Revolution over at the Junto. He writes about the ways in which intellectual histories of the coming of the Revolution were preeminent in the 1960s, and then dominance of social histories of the effects of the Revolution in the 1970s and 1980s. He also writes about the call for transnational or global histories, which work against interests in writing about quintessentially nationalist events like the Revolution, and finally concludes:
I would argue that the last thirty years (and the explicit raison d’être of the conferences, i.e., the stagnation of Revolution studies) show us unlikelihood of “new directions” organically emerging from working within these paradigms. That is not the fault of the paradigms or the historians working within them since it was not something they appear to have intended to achieve. But I also do not think those paradigms lend themselves to producing the kind of consensus required to actually forge new directions in a field that has been so mired in such a deep rut for so long a period of time. To break out of this rut––to reconstruct the Revolution, as it were––will require more than that. It will require historians who care about the American Revolution as its own topic to confront our historiographical predicament head-on.
Go read the whole thing–it’s worth it, even if I don’t think he provides a lantern out of the darkness and disinterest in the Revolution. Many of the distinguished scholars he mentions have tried–and failed–effectively to re-ignite our interest. Hattem must be at least a little younger than me, because he left out an organizing event in that 1960s and 1970s frenzy of scholarship on the Revolution, namely, the 1976 Bicentennial. Continue reading
Liberty Cap from the top of Nevada Falls, Yosemite National Park, March 28, 2015
Yes, there’s a reason that Yosemite National Park has named one of its impressive sights the “Liberty Cap.” Here’s an eighteenth century illustration of a liberty cap and its uses. (HINT: it’s on the pole, not on Columbia’s head): Continue reading
Today’s post is part II of a meditation on skin and ink inspired by Flavia’s recent adventures in body art. Part I is here.
Last week, the curator of literary manuscripts at the Huntington Library, Sue Hodson, gave a small group of readers a tour of some of the literary manuscripts from the collections that reveal the different ways in which writers wrote–some revised as they wrote in longhand or on a typewriter (Jack London and Charles Bukowski), others clearly didn’t save their drafts as their work was printed in clear, neat, meticulously spaced tiny letters on the page (Wallace Stevens). That was fascinating–it made me long to see the famous Mark Twain papers collected here.
More fascinating for the historians among us–or at least for me–was the conversation we got into about preservation issues. Hodson pointed out that the most durable and long-lasting materials for literary and historical texts are some of the oldest technologies like vellum and other parchment, whereas the newer technologies and media for storing information were some of the least stable and most ephemeral. In general, she said, the further you progress in time, the less stable the archival materials become. So, seventeenth and eighteenth-century paper made with rags is a much more stable information storage medium than cheap nineteenth-century paper made from wood pulp, and that wood-pulp paper is more durable than a great deal of later twentieth-century media. Continue reading
So many European medievalists and early modernists have Latin tattoos that I’m now declaring that this is A Thing. (I know: I’m probably the last to notice!) First, we have the example of the late, great (in bloggy terms) Squadratomagico, whose tattoo is on the back of her neck & which I have met in person (scholar, neck, tattoo, and all.) Then when I got to the Huntington, I noticed that a medievalist here has a mid-thirteenth century quotation from a manuscript tattooed on the inside of his left forearm.
Finally, we have Flavia, who has celebrated her fortieth birthday and her retirement from the job market alike by getting a Latin tattoo, also on the inside of her left forearm. Her tat says “Omnia mutantur, nihil interit,” or “Everything changes, nothing perishes,” which is a thought so lovely that it makes me cry. Of course it’s from Ovid’s Metamorphoses–what else? (Why the inside of the left forearm? I get the inside part, as it’s more protected from the sun and other injuries, but is the choice of right versus left merely a personal one or dependent on right- or left-handedness?)
I asked my tattooed Huntington colleague if he thought so many of his medievalist colleages had tattoos because medieval scholars in particular are accustomed to ink on skin through their work on vellum documents and manuscripts. (Vellum is a fine parchment made from lamb or kid skins, and is among the oldest paper-like technology we have for recording and preserving information.) He agreed that this might be an interesting connection, and also said that it’s pretty popular for people to get textual tattoos these days anyway. He also connected his tattoo to a major life change–in his experience, winning tenure, whereas for Flavia it was her fortieth birthday. Continue reading